The drawing is of Don Quixote de la Mancha, his horse Rocinante, his squire Sancho Panza and his donkey Dapple, the sun, and several windmills. The bold lines, almost scribbles, that compose the figures are stark against a plain, white background. The figures are almost laconic and deformed, and are dramatic. Sancho Panza looks up at a tall, elongated, gaunt Don Quixote, who, in return, gazes forward. Don Quixote and Rocinante stand nobly, but have a somewhat tired air. The figure, painted with heavy strokes, seems to have been changed multiple times as Picasso painted Don Quixote's torso, arms and shoulder. "The knight's head, capped by what would be Mambrino's helmet, is connected to his shoulders by a neck made with a single, thin line, and it sports a pointed nose and a long, equally thin goatee. He carries a lance in his right hand and the reins and a circular shield apparently in his left. Rocinante is the bag of bones described by Cervantes. Panza appears to the left, a black mass vaguely defining his round body, and sitting on Dapple who has a long, wiry neck and thin, long ears. Little attention seems to have been paid to Panza sketched in the same vein, perhaps because Don Quixote is the center of attention. Though the two figures seem to be standing still, the drawing is full of movement; the lines are exuberant and the overall effect is catchy and one of bright humor.
Pablo Ruiz y Picasso, also known as Pablo Picasso (1881–1973), was a Spanish painter, sculptor, printmaker, ceramicist, stage designer, poet and playwright who spent most of his adult life in France. Regarded as one of the greatest and most influential artists of the 20th century, he is known for co-founding the Cubist movement, the invention of constructed sculpture, the co-invention of collage, and for the wide variety of styles that he helped develop and explore